2015-16 Performance Studio. An AV-Documented Experimental Platform
Project Conception and Project Development
Helmi Vent
Project Partners
LIA – Lab Inter Arts
Focus area “Science&Art”, Study programme – Mediating Comtemporary Music. ConTempOhr
Performance Lab Participants
Marilia Almeida, Irina Dannenberg, Sophia Fischbacher, Saskia Muriel Gompf, Katharina Grießer, Stefanie Grutschnig, Johanna Heller, Tobias Hofer, Manuel Riemelmoser, Christian Schuhbeck, Ramona Schulz, Julia Süß, Marena Weller
Project Enrollment
Participants may enroll in the lab as an optional or elective course or as a complementary subject to one’s major
AV Documentation
Camera: Stefan Aglassinger, Toldy Miller
Second Unit: Martin Gerhard Hantich, Georg Pircher, Mike Übleis, Veronika Wieser
Sound: Martin Gerhard Hantich
Boom Operator: Jan Fredrich
Lighting Design: Georg Götz
Lighting Assistant: Stefan Ebner
Editing Concept: Helmi Vent
Editing: Veronika Wieser
Color Correction: Tobias Meister
Film Production
Helmi Vent
LIA - Lab Inter Arts
Locations
The opera studio, stairways, hallways, cellar and seminar spaces at the University Mozarteum;
The seminar room at the YoCo Youth Center in the Gstättengasse in Salzburg
Lab Meeting Period
Every Wednesday 18:30 – 20:30, from 4 November 2015 until 27 January 2016
Individual meetings (“Tea times”) by appointment
A Lab Inter Arts Project on the focus area “Science&Art”, University of Salzburg and Mozarteum University Salzburg, featuring a summary of lab excerpts in the film “Hätte Hätte Fahrradkette. A Performance Lab”.
- Performance Studio Content
- Flyer Performance Studio Info
- Project Page: Hätte Hätte Fahrradkette [shoulda woulda coulda] – A Performance Lab (Film)
- Gallery
Performance Studio Content
Guided and unstructured space-sound-body explorations; the presentation of an excerpt of an artistically oriented ‘work’ (e.g. musical, choreographic, artistic, literary) from the participants’ repertoire; guided experiments using the presented repertoire excerpts: Composition–DeComposition–ReComposition; directing suggestions for performative input; film documentation of the lab’s entire processes;
instructions for the development and implementation of performative concepts for one’s own artistic works, alone and in dialogue; mutual contemplation of individual performative attempts;
Small groups and individual coaching; Discussion of the socially relevant and socio-cultural possibilities of the lab work that was experienced; analysis and evaluation of audiovisual excerpts; new contextualizations of the raw AV material, based on artistic and esthetic research questions (optional)